
We stepped out of Greater Lowell this week and interviewed Celtic rocker, Larry Kirwan, the lead singer of Irish band Black 47. Kirwan is a native of Ireland and now calls New York his home. Due to space restrictions in our print version of Steppin' Out, we could not publish the interview in its entirety. Below we have the full interview with Kirwan who chatted about The Beatles, Hillary Clinton and the war in Iraq.
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WHO: Black 47
AKA: Larry Kirwan, lead vocals and Stratocaster; Geoffrey Blythe, tenor and saxophone; Joe Burcaw, bass; Thomas Hamlin, drums and percussion; Joseph Mulvanerty, uilleann pipes and flute; and Fred Parcells, trombone and pennywhistle
VISIT: www.black47.com
HISTROY: They are political and trying to make a statment about the war in Iraq, but they will josh with their fans and throw back a couple of pints. Black 47 has been telling tales through their tunes since 1989. Frontman, Larry Kirwan, is an accomplished muscian, writer, playwright and host his own Sirius radio show. Kirwan fit us into his busy schedule to chat about his life as an artist.
You are a muscian, radio host and playwright. How do find time for them all?
And a novelist. (Laughs). I am trying to finish off a new novel inbetween. I don’t watch TV. I stopped watching TV during the Gulf War. It was so slanted.
No reality TV then?
I have never seen that, but with all that I have been reading I am curious and may actually turn the TV on.
Song, novel or play writing — which is the most satisfying?
The music I get the most bang out of. It’s an immediate reaction on stage in front of people. Books and novels are great because you are writing it on your own, it’s a great feeling, but there is no feedback from the audience. A play is great to watch the actors interperet it.
What are your novels about?
I wrote an autobiography, “Green Suede Shoes” that came out two years ago, I also wrote “Liverpool Fantasty” about The Beatles if they never were famous.
Really, what happens to the Fab Four?
Paul goes to U.S. and becomes a Frank Sintra kind of singer. Then 25 years later, he goes back to England to look up the other three. John is unemployed and still singing, George is a Jesuit preist and Ringo plays drums with Gerry and the Pacemakers.
Sounds like a great movie. Your songs are part truth and fiction. Do you use the fictional details to embellish the story?
Sometimes I do that. There is almost a paralel line in life between fiction and truth. I take an incident, move it a distance away from myself, exagerate and build up some aspects of it. There’s an essence of the truth. I have never been a confessional songwriter like, Jackson Browne. I found it gets limiting after a while and it gets boring. If you take the great writers like Kerouac, I am sure he took the experiences with Neal Cassady as the basis and then embellished.
Do people think all the tales you sing about are true?
You see some of the songs the are about political figures, Bobby Kennedy or Bobby Sands, they’re real people. In essence I am trying to portray them, I try to get into their heads. It was part of my training as a playwright. Bobby Sands, I could not get into his head for 20 years. Then when I sing I am being that person on stage. Some of the other songs have a wild sense of humor with a basis of fact. I am not Bono, I don’t have three chords of truth. I have 53. (laughs).
Is there any current figure you would like to get into the head of?
Hillary Clinton would be an interesting one. She originally supported the war, and I can’t believe someone so intelligent like her would. She then becomes a Shakespearian figure, she tells a lie to further herself feeling she knows best. I think that is fascinating and that is the basis of her canidacy.
Do you think she will be the next president?
Probably. I would vote for her, though I totally disagree with her war policy, but giving who she is up against. Guiliani will probably blow us all up with his ego. I have big issues with her on the war, but isn’t it time to have a woman? Men have f$%*@# it up so much. Though I lived under Thatcher. So long as Hillary stays a women and does not become a man. That’s what happened to Thatcher, it becomes dangerous.
In your opinion, how has the music scene changed over the past tw